The Velvet Underground: What Goes On by Sean Albiez (English) Paperback Book

Description: The Velvet Underground by Sean Albiez, David Pattie Though The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop and alternative rock. In the 1970s and 80s Lou Reed, John Cale and Nico produced a number of works that traveled a path between art and pop. In 1993 the original band members of Reed, Cale, Morrison and Tucker briefly reunited for live appearances, and afterwards Reed, Cale and briefly Tucker, continued to produce music that travelled the idiosyncratic path begun in New York in the mid-1960s.The influence of the band and band members, mediated and promoted through famous fans such as David Bowie and Brian Eno, seems only to have expanded since the late 1960s. In 1996 the Velvet Underground were in inducted into the Rock and Roll Hall of Fame, demonstrating how far the band had traveled in 30 years from an avant-garde cult to the mainstream recognition of their key contributions to popular music. In these collected essays, Pattie and Albiez present the first academic book-length collection on The Velvet Underground. The book covers a range of topics including the bands relationship to US literature, to youth and cultural movements of the 1960s and beyond and to European culture - and examines these contexts from the 1960s through to the present day. FORMAT Paperback LANGUAGE English CONDITION Brand New Author Biography Sean Albiez is an Independent Scholar and musician. He has published on electronic music, music technology, punk and post-punk. He is currently researching topics in electronic music history and has thirty years experience lecturing in popular music at UK universities and colleges. He is co-editor of Kraftwerk: Music Non Stop (2011) and Brian Eno: Oblique Music (2016), and Contributing Editor (Music Technology) for the Bloomsbury Encyclopedia of Popular Music of the World. He produces electronic music as ghost elektron and - with Martin James - as Nostalgia Deathstar.David Pattie is Senior Lecturer in Drama and Theatre Arts at the University of Birmingham, UK. He researches and publishes in a number of areas; popular music performance and culture, contemporary British and Scottish theatre, and the work of Samuel Beckett. He is the author of Rock Music in Performance (2007), and the co-editor of the books Kraftwerk: Music Non Stop (2011) and Brian Eno: Oblique Music (2016). Table of Contents ContributorsIntroductionSean Albiez (Independent Scholar, UK) and David Pattie (University of Birmingham, UK)1.Saved by Rock and Roll: The Velvet Underground In and Out of HistoryJeffrey Roessner (Mercyhurst University, USA)2. The Velvet Underground and the Networks of Sound, Vision and Words of the Fertile Transatlantic Crescent 1965 - 1967Johnny Hopkins (Solent University, Southampton, UK) and Martin James (Solent University, Southampton, UK)3. Andy Warhol Films, The Velvet Underground and NicoGlyn Davis (University of St Andrews, UK)4. The Riskiest Kind of Writing Available: Lou Reed, Grove Press and the Literary UndergroundThom Robinson (Newcastle University, UK)5. The Velvet Underground and Musical ArchetypesJulijana Papazova (European Scientific Institute, Spain)6. Lou Reeds Great American NovelPeter Griffiths (East Midlands, UK)7. Nico, Captain of Her Own Ship: Cultural Accreditation and Mid-60s Experimental RockMimi Haddon (University of Sussex, UK)8. European Son: Europe in Nico, Cale and Reeds Long-1970s Solo WorkToby Manning (Independent Scholar, UK)9.Ill be Your Mirror: The Velvet Underground as the legacy of Ziggy StardustJohnny Hopkins (Solent University, Southampton, UK) and Martin James (Solent University, Southampton, UK)10. What Caroline Says: Berlin, 1973 and 2006David Pattie (University of Birmingham, UK)11. Unfrozen Borderlines: Nico, John Cale and Brian Eno at the Berlin NationalgalerieSean Albiez (Independent Scholar, UK) and Timor Kaul (Independent Scholar, Germany)12. Noise Annoys: Lou Reeds Metal Machine MusicMark Goodall (University of Bradford, UK)13. The Velvet Underground is a Jonathan Richman SongCibrán Tenreiro Uzal (Universidade de Santiago de Compostela, Spain) 14. Its Not That I Dont Want to Play Your Favourites: Lou Reed, Improvisation, and PerformanceDavid Pattie (University of Birmingham, UK)15. Portrait of the Artist as Andy Warhol: Lou Reed and John Cales Songs for DrellaElizabeth Ann Lindau (California State University, Long Beach, USA)16. The Late Musical Voice: John Cale and Lou Reed in the 21st CenturySean Albiez (Independent Scholar, UK)Discography - The Velvet Underground and Solo WorksDiscographical and Musical Works ReferencesFilm, Television and Radio ReferencesIndex Review This volume marks itself as essential for even the most jaded VU head. ... Collectively these 12 chapters make for a lively, insightful, critical account of post-Velvet Underground activities. * *These essays place the Velvet Underground in the context of the downtown New York music, artistic and literary scene of the 1960s and examine its extended legacy in the later work of former group members and figures such as David Bowie and Jonathan Richman. The multiple perspectives they provide gave me new ways to grasp the legend that is the Velvet Underground. * Philip Auslander, Professor of Performance Studies and Popular Musicology, Georgia Institute of Technology, USA *The book offers a fresh approach to looking at The Velvet Underground, one of the most influential bands of the 20th century. Written from musicological, film studies, cultural studies, literary, and historical perspectives, the collection offers a vibrant and multidisciplinary take on the band and its larger world. Chapters about an album, a controversial performance, a relationship, a film, and a fan, provide an eclectic and fresh view of the band, its members, and the broader cultural context within which it existed. * Abigail Gardner, Professor of Cultural Studies, University of Gloucestershire, UK, and Associate Editor, Journal of The International Association of the Study of Popular Music *The Velvet Underground was a stroppy, defiant and difficult band. The academic research into the Velvets rarely captured the rage, the humour, the confusion, the ambivalence and the raw power. The Velvet Underground is a magisterial book that "gets" the Velvets. There is a commitment to arch beyond easy commentary about Reed or Warhol or Tucker. This book revels in un/popular music that lashes into our populist times. * Tara Brabazon, Dean of Graduate Research and Professor of Cultural Studies, The Flinders University, Australia * Promotional An academic collection that explores and examines The Velvet Underground in the 1960s and the solo activities of band members up to the present. Details ISBN1501393901 Author David Pattie Short Title The Velvet Underground Language English ISBN-10 1501393901 ISBN-13 9781501393907 Year 2024 Format Paperback Publication Date 2024-04-18 Edited by David Pattie Publisher Bloomsbury Publishing Plc Imprint Bloomsbury Academic USA Subtitle What Goes On Place of Publication New York Country of Publication United States DEWEY 782.421660922 Audience Professional & Vocational US Release Date 2024-04-18 UK Release Date 2024-04-18 Pages 310 AU Release Date 2024-04-17 We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:161350126;

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