RED SCARLET-W 5K - FULL RIG w/Lens, Touch Monitor, Batteries, & Storage

Description: RED DIGITAL CINEMA SCARLET-W BRAIN with DRAGON 5K Sensor Full Kit Key Features 5K Super 35 CMOS Sensor 5120 x 2700 Recording up to 50 fps REDCODE RAW, ProRes, and DNx Recording High-Speed Recording up to 300 fps in 2K Uses DSMC2 Accessories Records to RED MINI-MAG Media Interchangeable Lens Mounts Aluminum Body Construction RED DIGITAL CINEMA SCARLET-W BRAIN with DRAGON 5K Sensor Designed for cinema and high-resolution video production, the RED SCARLET-W DSMC2 cinema camera features the DRAGON 5K Super 35 CMOS sensor and REDCODE RAW imaging pipeline. Shooting in 5K gives the production an edge in the post process, even in 4K deliverables, as the greater-than-4K resolution REDCODE RAW is the format of choice for the SCARLET-W. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The SCARLET-W's DRAGON sensor windows to record slow motion, requiring wider lenses to compensate for the additional crop. All of the SCARLET-W's power is enclosed in a relatively small body constructed out of aluminum. The BRAIN's size, or lack thereof, makes it very versatile. From studio tripod configuration to handheld and gimbal, drone, or vehicle mounted situations, the SCARLET-W can handle it all, providing cinema-grade footage that punches above the camera's weight. The camera BRAIN is compatible with DSMC2 accessories. 5K DRAGON Sensor As the successor to the stalwart 5K Mysterium-X sensor, the 5K DRAGON CMOS sensor brings extra resolution, dynamic range, and color depth to the table. The DRAGON design is not a rehash of a previous fabrication. Working from the ground up, the team at RED developed this sensor with an updated color science, while making additional improvements in dynamic range and sensitivity. Different separately available OLPFs (Optical Low-Pass Filters) can be exchanged for the included standard OLPF for more creative options that can improve highlight handling, skin tone rendering, or low-light performance. REDCODE RAW The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Note: Not all compression ratios are available at all resolutions and frame rates Apple ProRes and Avid DNx Formats For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing. DSMC2 Form Factor Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, the SCARLET-W becomes a gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. You can also mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable. Color Management Supports 17x17x17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User-programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing RED DIGITAL CINEMA DSMC2 RED TOUCH 7.0'' LCD 1920 x 1136 Resolution Cable-Free Camera Connection 170 x 170° Viewing Angle Touchscreen Control Side-Mounted Navigation Buttons 350 cd/m² Brightness/1000:1 Contrast Image Mirror and Flip For WEAPON 8K S35, WEAPON 6K For EPIC/SCARLET-W, EPIC/SCARLET M-X For EPIC/SCARLET DRAGON, RED RAVEN Designed for cable-free mounting to select DSMC2 RED cameras, the RED DIGITAL CINEMA Touch 7.0" LCD (Aluminum) features 1920 x 1136 resolution. The design of the LCD provides good off-axis viewing up to 170°, with 85° left, right, up, or down so you don't have to be directly aligned with the viewfinder to see an optimal image. The LCD features multi-touch control, with hard navigation buttons on the side. With a brightness level of 350 cd/m² and contrast ration of 1000:1 providing a clear image, the RED Touch LCD mounts directly to your camera without any cables needed between the LCD and your camera. It can mount directly onto DSMC2 cameras including the WEAPON 8K S35, WEAPON 6K, EPIC/SCARLET-W, EPIC/SCARLET M-X, EPIC/SCARLET DRAGON, and the RED RAVEN. A built-in mirror and image flip allow for monitoring while upside down for special applications. The LCD is designed to mount directly to select cameras for cable-free operation. Used in conjunction with the optional DSMC2 LEMO Adapter Collection, you can mount your DSMC2 display away from the camera body. The built-in hinge provides up to 180° of tilt—90° forward and 90° back—which allows the LCD to fold flat on your camera. The hinge also enables rotating the display 180°. You can use an optional DSMC2 LEMO Adapter B to mount the LCD to RED EPIC or RED SCARLET cameras. Canon EF 24-70mm f2.8 II L USM LensEF-Mount Lens/Full-Frame FormatAperture Range: f/2.8 to f/22One Super UD Element, Two UD ElementsThree Aspherical ElementsSuper Spectra and Fluorine CoatingsRing-Type Ultrasonic Motor AF SystemWeather-Sealed ConstructionRounded 9-Blade Diaphragm Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity. RED DIGITAL CINEMA DSMC2 V-LOCK I/O Expander - Key Features DC Power input Auto Boot-Up on Power-On 3G-SDI, HDMI 1.2 Output Control & Sync Ports USB Power Output AUX Power Output Stereo Analog Input Stereo Headphone Output FOR WEAPON 8K S35, WEAPON 6K For EPIC/SCARLET-W, RAVEN Core SWX 6.6AH LITHIUM ION BATTERY BRICK (2) Core SWX 2-POSITION SIMULTANEOUS V-TYPE CHARGER RED DIGITAL CINEMA DSMC ALUMINUM CANON MOUNT (CAPTIVE) RED DIGITAL CINEMA RED MINI-MAG 120GB RED DIGITAL CINEMA RED STATION RED MINI-MAG - USB 3.1 Wooden Camera A-Box for RED SCARLET-W

Price: 6500 USD

Location: Baltimore, Maryland

End Time: 2024-10-11T15:24:46.000Z

Shipping Cost: 0 USD